DE-2.1

Depoimento de Alfredo Galvão

[1982]
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Code
DE-2.1
Title
Depoimento de Alfredo Galvão
Summary

The artistic calling ; his father’s encouragement; non-credit student at the Escola Nacional de Belas Artes/ENBA; Rodolfo  Amoedo; Batista da Costa; his marriage to Maria Luiza; the prize trip to Europe  in 1927; Galvão attends the École des Beaux-Arts in Paris; appointed to teach artistic anatomy at ENBA following his return to Brazil; teacher of painting; the selection criteria of the Salão de Belas Artes; the Salon is divided into two sections: Modern and Academic; Portinari’s joyful temperament; Alcebíades Noronha Miranda; friendship with Campofiorito; Galvão’s father backs him financially; the beginning as a teacher; the relationship among academic and modern painters; praises Rodolfo Amoedo; Eliseu Visconti; the Modern Art movement in São Paulo; Anita Malfati; Galvão studies at La Grande Chaumière academy; René Prinet; visits to modern art salons in Paris; a trip to Spain with Portinari; the modernization of the ENBA by Lúcio Costa; the incident with Capanema; the 1930 Salon; Galvão participates in the 1932 Salon; Capanema’s support; the difficulty of making a living as an artist; the Núcleo Bernardelli; writes for "Belas Artes" magazine; Oswaldo Teixeira’s authoritarianism; President Getúlio Vargas’ disinterest towards art; Portinari’s spontaneous art; Portinari's aversion to Academic Art; Lutero Vargas; Ernani de Irajá; Galvão, vice-director of the ENBA during Flexa Ribeiro's administration; Georgina de Albuquerque; Galvão runs the ENBA from 1955 to 1958; Café Filho; Juscelino Kubitschek; the lack of budget for the ENBA; the friendship between Capanema and Portinari; Getúlio Vargas' laissez-faire attitude towards the arts; Le Corbusier; Galvão runs the Museu Nacional de Belas Artes/MNBA; Galvão falls in the elevator shaft; Portinari's administrative inability; re-organization of the MNBA; Burle Marx; Guignard; Rodrigo Mello Franco de Andrade; the painting "Batalha do Avaí" ; restauration of the painting "A Primeira Missa no Brasil", by Pedro Américo ; Portinari's Academic phase; Rachel de Queiroz; Portinari revolutionizes Brazilian art; Mexican painters' influence in Portinari's murals; Portinari's illness; the change of style in Portinari's painting; the technique of fresco; "Portrait of Maria"; the decoration of the Ministério da Educação e Saúde/MES building; Picasso's influence in Portinari's art; the Academism in "Portrait of Olegário Mariano"; Portinari's stories.

Language
portuguêsLanguage
Organizer
Bellas Artes PPE jornalPeriodical
Dom Casmurro PPE revistaPeriodical
Arquivos da Escola de Belas Artes PPE revistaPeriodical
speaker
Role
Maria Christina Guido entrev.Person
Oswaldo Barbosa téc. somPerson
Media Type
OriginalMediaType
Preservation
GoodPreservation
Observation
Matriz: 3 fitas rolo Cópia: 3 CDs Depoimento transcrito
Notes
Entrevista realizada no dia 8 de novembro de 1982.
About Person68
About Organization13
About Document
Related Work10
Subject of Document
Media
DE-2.docMediaObject
Audio
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numberOfInterviews
1
numberOfMatrices
3
numberOfCopies
3
duration
2h 30min
transcriptedPages
1
restrictedAccess
transcript
 
Lei de Incentivo à Cultura - Lei Rouanet
APOIO
PUC Rio Portinari
PATROCÍNIO
Enauta Itau
REALIZAÇÂO
 logo Projeto Portinari Ministério da Cultura