DE-27.1

Depoimento de Luís Portinari

[1983]
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Code
DE-27.1
Title
Depoimento de Luís Portinari
Summary

Birth in Brodósqui; studies at a catholic school; leaves for Rio with Candinho at 13; Portinari’s hardship in Rio de Janeiro; childhood fear; death of youngest brother; "Nonna"'s stories; memories of uncle Bepe; Candinho’s fondness for movies; the "Nonna" of Jardinópolis; the family’s financial difficulties; his father’s goodness; praise for his mother; frequent trips to Jardinópolis with his mother; helps father at the chair factory; Zé leaves for Rio in 1933; learns to be a cobbler with brother Paulino; travels to Rio with Candinho; trip to Washington; the  habit of working; works at Candinho’s studio; his brother’s short temper; Portinari’s love for his own family; Bianco’s ability in dealing with Candinho; Maria; Portinari’s passion for painting; the separation of Maria and Portinari; outings with João Candido; Portinari’s pleasure in receiving friends; Maria's maneuvers in favor of her brothers-in-law; the material used by Portinari for painting; the exhibition at the Museu Nacional de Belas Artes/MNBA in 1943; trip to Paris; the publishing of “Cheiro da Terra” by Caio Mello Franco; Sociedade dos Cem Bibliófilos; Candinho’s studio care and cleanliness; intimacy with Portinari’s intellectual friends; Portinari’s thorough research prior to starting any work; the difficulty in doing frescoes; Portinari’s stories; Portinari’s capacity for work; the pleasure of working with his brother; the opportunity of learning how to  sculpt in Washington; meeting  Maria Clara Machado; Candinho’s quarrel with the ambassador in Washington; Portinari paints Rockefeller’s portrait; premonition of death in Portinari’s poems; the "Biblical Series"; the artistic rivalry between São Paulo and Rio; the inventory of Portinari’s work; Kaminagai; the frame factory; Portinari’s difficulty in carrying out a political role; Portinari’s sensitivity; Candinho’s trip to São Paulo; René Huyghe visits Brodósqui; Portinari’s quarrel with Leônidas Autuori; Maria’s first visit to Brodosqui; close relationship with Capanema; René Huyghe praises Portinari; the research into painting material for the Ministério da Educação e Saúde/MES work; Portinari’s works in Brodósqui; sister Tata, João Candido’s love for the guitar.

Language
portuguêsLanguage
speaker
Role
Alícia Beatriz Nigri téc. somPerson
Helena Strauss transcr.Person
Maria Christina Guido entrev.Person
Media Type
OriginalMediaType
Preservation
GoodPreservation
Observation
Matriz: 3 fitas rolo Cópia: 3 CDs Depoimento transcrito
Notes
Entrevista realizada em 3 de agôsto de 1983.
About Person67
About Event2
Related Work28
Subject of Document3
Media
DE-27.docMediaObject
Audio
1455377 1.1AudioObject
1455378 1.2AudioObject
1455379 1.3AudioObject
1455380 2.1AudioObject
1455381 2.2AudioObject
1455382 2.3AudioObject
1455383 3.1AudioObject
1455384 3.2AudioObject
1455385 3.3AudioObject
numberOfInterviews
1
numberOfMatrices
3
numberOfCopies
3
duration
3h
transcriptedPages
1
restrictedAccess
transcript
 
Lei de Incentivo à Cultura - Lei Rouanet
APOIO
PUC Rio Portinari
PATROCÍNIO
Enauta Itau
REALIZAÇÂO
 logo Projeto Portinari Ministério da Cultura