EMPTY LABEL
His father's work at the Escola Nacional de Belas Artes/ENBA; his father's poems; his birth in 1914; the six volume edition of "Critical History of Art", written by his father after retirement; Gustavo Capanema founds the Escola de Arquitetura in 1940; Lúcio Costa nominated the ENBA’s director in 1931; his father was Portinari's teacher at the ENBA; the teaching at the Escola de Arquitetura; the articles written by Flexa Ribeiro's father about Portinari; the influence of Zuloaga in Portinari's painting in 1928; physical resemblance to his father; Spanish flu; Batista da Costa; his father's work at the"O Paiz" newspaper; "Ilustração Brasileira"; "Correio Paulistano"; "Le Figaro"; "Jornal do Commercio"; Jayme de Barros; Flexa Ribeiro's thesis on Velázques and Realism; Portinari's quarrels with Mário Pedrosa; Di Cavalcanti; Teruz; the conflict between Abstractionism and Figurativism; Oswaldo Teixeira; Capanema begrudges Portinari's candidature for Senate; Semana de Arte Moderna; Portinari's importance in divulging Modern Art in the 30's; portraits painted by Portinari; exhibition of the "Tiradentes" panel at the Automóvel Club do Brasil; Portinari's connection with the Communist Party; relationship with Portinari through the friendship of their children; "Portrait of Rui Barbosa"; Portinari's admiration for Velázques; the Universidade do Distrito Federal/UDF; Alceu Amoroso Lima; the closing of the UDF; his mother's work at the Associação Brasileira de Educação/ABE; Henry Hauser; the 1935 uprising; the UDF faculty; Cecília Meirelles; Castro Rebello; politically inclined to the Left; his trip to France in 1936; Alzira Vargas; the arrest of Pedro Ernesto and Anísio Teixeira; Lévi-Strauss; the foundation of the Universidade de São Paulo/USP; the Besouchet family; Rubem Braga; the Aliança Nacional Libertadora/ANL.
