EMPTY LABEL
His birth in Rio, starts working as a journalist for the press at 17; Jayme Mauricio; Antonio Callado; gets acquainted with Portinari through his family; Portinari's studies of his own panels for the United Nations/UN; Prestes' influence on Portinari's political thought; "War" and "Peace"; Portinari and the Universidade do Povo; Capanema; Oswald de Andrade; São Paulo as the artistic and cultural hub; Nicolás Guillén; the political support given by the Communist Party to Portinari; his close relationship with Portinari; Bianco and Portinari's relationship; Pancetti; Portinari praises Volpi; the feud between Di Cavalcanti and Portinari; Guignard; Portinari in relation to Abstract Art; Mário Pedrosa's criticism; the newspaper "Correio da Manhã"’s support for Portinari; "Israel Series"; Portinari's mastery of drawing ; his correspondence with Portinari; covers both the Suez conflict and the fight for racial integration; his marriage in 1957; the drawing "Girl from Brodósqui"; Portinari's research in drawing; Portinari's temperament; Portinari's reckless spending; the relationship between Portinari and Mexican painters; Euclides da Cunha; Portinari's poetry; Portinari's allergy to oil paints; Portinari's mood; Portinari's stories; the ties painted by Portinari; Vera Bocayuva; the Communist Party picks Portinari to run for the Senate; Portinari's work routine.
