DE-1.1

Depoimento de Quirino Campofiorito

1982
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Code
DE-1.1
Title
Depoimento de Quirino Campofiorito
Summary

Family background; childhood in Belém; work at his father's studio; moving to Niteroi; meeting Portinari at the Escola Nacional de Belas Artes/ENBA; his work for "Tico Tico" magazine; "O Malho" magazine; the support of Raul Pederneiras; his fondness for sports; Michelangelo's free style of painting; the differences between the non-credit and the credit student at the ENBA; the prize trip to Europe; Portinari's generosity; Portinari's friends; Roberto Rodrigues; Portinari is awarded the prize trip to Europe for his "Portrait of Olegário Mariano"; Portinari's works for the Ministério da Educação e Saúde/MES; he becomes an art critics in support of modern art; Augusto Bracet's criticism of Portinari; the ENBA's faculty; praise for Portinari; Lúcio Costa and the ENBA; Burle Marx; Portinari and Oscar Niemeyer; Bianco; Portinari's poor health; his close relationship with Portinari in Paris; Alfredo Galvão; Portinari's religious beliefs; Portinari's success with women; Rosalita Mendes de Almeida; Portinari's relationship with diplomats in Paris; Sotero Cosme; meeting Portinari and Maria; Portinari's admiration for Velasquez; Modigliani; Portinari's puritanism prevents him from painting nudes; Portinari's tireless work in his studio; École des Beaux-Arts in Paris; his stay in Italy with his wife; Foujita; meeting painters from all over the world in Paris; Núcleo Bernardelli; the 1931 Salon; Filinto Muller; military repression in the ENBA; Plinio Salgado's naivety; the beginning of the Brazilian social, cultural and political life in 1930; the meaning of the word "left"; foundation of  the Escola de Belas Artes in Araraquara; trips to Brodósqui; the painters' attempt to bring art to the countryside; Portinari's temperament; Portinari's relation with the Communist Party; Pancetti; the Santa Helena Group; the elitist stance of the Semana de Arte Moderna; Campofiorito takes over the teaching of painting at the ENBA, in 1938; Oswaldo Teixeira and the Academic School; the ousting of Campofiorito from the ENBA by the Ato Institucional no.5, in 1968; Celso Kelly; Escola do Povo; affiliation to the Communist Party; Carlos Drummond de Andrade; Manuel Bandeira; the need to have more young people ruling; the Communist Party picks Portinari to run for Senator; Portinari's commitment to society; "Northeastern Migrants"; Goya; Portinari's mural painting; Di Cavalcanti; Maria's support for Portinari; President Getúlio Vargas breaks with the Constitution; comparison between  Portinari and Picasso; "Coffee"; Campofiorito's return to painting following his ousting from the ENBA; the feud between Mário Pedrosa and Portinari; the artisits learning from  the masters; Portinari's artistic guidance to young painters; painters bending to the whims of critics; the naivety in Matisse's painting; Modigliani's influence on Portinari's art; influences and imitations; Guignard; Campofiorito's classes at the ENBA; Campofiorito praises his wife Hilda; his son Ítalo Campofiorito.

Language
portuguêsLanguage
Organizer
Bellas Artes PPE jornalPeriodical
A Província do Pará PPE jornalPeriodical
Tico-Tico PPE revistaPeriodical
O Malho PPE revistaPeriodical
Role
Maria Christina Guido entrev.Person
Oswaldo Barbosa téc. somPerson
Media Type
OriginalMediaType
Preservation
GoodPreservation
Observation
Matriz: 6 fitas rolo Cópia: 6 CDs Depoimento transcrito
Notes
Entrevistas realizadas nos dias 3 e 10 de novembro de 1982.
About Person120
About Organization31
About Document3
Related Work15
Subject of Document
Media
DE-1.docMediaObject
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numberOfInterviews
2
numberOfMatrices
6
numberOfCopies
7
duration
6h 20min
transcriptedPages
1
restrictedAccess
transcript
 
Lei de Incentivo à Cultura - Lei Rouanet
APOIO
PUC Rio Portinari
PATROCÍNIO
Enauta Itau
REALIZAÇÂO
 logo Projeto Portinari Ministério da Cultura