Projeto Portinari

Family background; Aníbal Machado as catalyst of artists; intensity of friendship ties Aníbal Machado and Portinari; Portinari resumes the panel "Northeastern Migrants"; the brothers Machado; Guignard; relationship between Aníbal Machado and the artists; visits Candinho in Washington; the emergence of inclination for painting; "Portrait of Douglas Fairbanks" by Portinari; the odyssey of returning to Brazil; Portinari's fear of flying; the scholarship in Springfields; the family clan; the close relationship with artists; the painting collection in Aníbal Machado's garage; affectionate rapport during stay in Washington; the day-to-day of Portinari in Washington; Portinari's output in Washington; Lói Portinari; Candinho and the teaching of understanding painting; Candinho's generosity; traits in Portinari's personality; the beginning in the theater; coming to Rio; Aníbal Machado's professional activities; Aníbal Machado's career path in Rio; the fraternal friendship of Aníbal Machado and Portinari; Portinari and Aníbal Machado help each other; the Ipanema house is the hub of activities; the circus and its audience; the relationship with her father; her father's help; neglecting school; uncle Gerundio; paternal education; her father emotionally torn; father's second marriage; personal problems; the discreet work of the school of theater "Tablado"; psychoanalysis; the  "Menina e o Vento" play; Portinari's interest in children; the relationship between Portinari and Maria; the separation of Maria and Portinari; Aníbal Machado and Communism; Aníbal Machado's candidature; the Congresso de Escritores; reminiscences of the '32 Revolution; discovering her father through Raul Antelo's work; the Oedipal complex in her relationship with her father; daughter of a famous father; Santa Rosa; contrasts within Portinari's personality; Portinari and other painters' work; genesis of "Tablado"; loses contact with the Portinaris; visits a sick Portinari; moved by the interview; fond of memories; strolling through museums with Candinho; Portinari's sensitivity in conveying love through painting.