EMPTY LABEL
Birth and childhood in Brodósqui; relationship with her brothers; his father’s chair factory; praises for her mother; Uncle Bepe; relationship with "Nonna"; Library Administration course; living with Candinho in Rio; Portinari‘s wish that his brothers study; Ines’ love of sports; her father’s kindness; her mother’s homemade pasta; dresses made by "Nonna"; violence in Brodósqui at Portinari’s time; travels to her grandmother Maria’s house; the farm where Candinho was born; the arrival of the Portinari family from Italy in Brazil; the quarrels between Candinho and Olga; Candinho’s preference for his sister Olga; Ines’ friendship with Antonieta Mesquita de Barros; her brother’s letters; Candinho’s visits to Brodósqui; Candinho's gifts; childhood plays; the panel "Our Lady of Carmel"; her trip to Paris with Candinho; Olga’s marriage; trip to the United States with her brother; Augusto Rodrigues; Candinho’s jealousy of his sisters; his responsibility for his sisters; Tata’s dedication to her family; Maria’s dedication to her brothers-in-law; trip to Uruguay; the family and Portinari’s link with the Communist Party; Portinari’s show in Paris; the incoherence of the "left"; intimacy with Apolônio de Carvalho; her work at the Biblioteca Nacional; Vernet Hotel; meals at a Russian restaurant in Paris; exuberance of João Candido in Paris; Christmas dinner in Pocitos; family fondness of Maria Portinari; Candinho’s health problems; portraits of Rockfeller; Portinari’s work routine; Portinari’s illness; Ines’ marriage in 1956, visits to Candinho; Portinari and Maria's separation; Portinari’s love for his granddaughter Denise; Ines’ fondness of Portinari’s painting; the forgeries of Portinari’s paintings; Candinho’s death.
